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Category: Acquisitions

Still Glasgow: Notes on an exhibition, Katie Bruce, November 2025

Still Glasgow Katie Bruce, November 2025   “Glasgow is a magnificent city,” said McAlpin. “Why do we hardly ever notice that?” “Because nobody imagines living here…think of Florence, Paris, London,… Read more Still Glasgow: Notes on an exhibition, Katie Bruce, November 2025

New Acquisitions #2: recent acquisitions for Glasgow Life Museums’ collection

As the year end approaches and as we head into 2026 when it will be the 30th anniversary of GoMA, it felt like a moment to look back on some… Read more New Acquisitions #2: recent acquisitions for Glasgow Life Museums’ collection

New Acquisitions #1: two works by Sam Ainsley for Glasgow Life Museums’ collection

Glasgow Life Museums is delighted to announce that we have recently acquired two works by Sam Ainsley RSA for the collection. Blue Body, Red Centre, Green Acanthus (2023) and Where… Read more New Acquisitions #1: two works by Sam Ainsley for Glasgow Life Museums’ collection

Artworks that have been purchased, supported by grants or gifted to Glasgow Museums in 2023

This post looks at some of the incredible modern and contemporary artworks that have been purchased, supported by grants or gifted to Glasgow Museums this year.

A Life In Pictures . Page 116 to page 120 . Canongate 2010 by Alasdair Gray … Only the last was completed. It was based on sketches and ideas for the Monkland Canal picture.I had given up trying to paint as a third year art student in 1955. Almost 4 feet by 8 it is still my best big oil painting. The buildings are shown accurately in relation to each other, though the road up to the canal on the right and downhill on the left was actually straight, with the central road ( leading to the city's destructor plant ) at right angles to it , so a sliding viewpoint shows the place from Port Dundas in the north to St Aloysius Church in the south round an angle of 180 degrees. this bent perspective means that the distant gas lantern on the right and the near one on the left are different views of the same . The near electrical street lamp with the old man on the right are both distantly viewed in the left. ( In 1955 street lighting still had a few gas lamps in proximity to electric ones. ) The picture also has a time shift . The foreground faces belong to the couple whose figures are downhill left.

Glasgow Life Museums acquires famous oil painting by legendary Scottish artist Alasdair Gray

Alasdair Gray’s iconic painting, Cowcaddens Streetscape in the Fifties, has been acquired for Glasgow’s museum’s collection.

Revisiting the work of Black Artists in Scotland through New Collecting || OPENING EVENT

AfroScots is a new show in the opulent Gallery 1 at GoMA that revisits the work of Black artists in Scotland through recent collecting. In collaboration with Mother Tongue – an independent curating duo – the exhibition focuses on showing older works from Glasgow Museums’ collection as well as new acquisitions through the New Collecting Award from Art Fund.

Anniversary notes on attempts to date and place a poem (p.117)- Ama Ata Aidoo

Letter in January and in the notes section at the end of the book Barby discovered that the poem is placed in Glasgow and dated September 21, 1991. We are now 30 years on from that date and are marking this anniversary and noting that her words continue to resonate today.

Rabiya Choudhry dressed in a black hat and yellow coat with repeating black spoder design. She is standing in front of a painting which has the text Rabiya Choudhry Presents TERRORVISION with further text at the bottom hidden by her body. She is looking to her left and raising both her arms in the air with her fists closed. This was taken at her exhibition COCO!NUTS! at Transmission Gallery By Eoin Carey.

CAS / Frieze Rapid Response Fund – Rabiya Choudhry acquisition

Some great news in these unprecedented times! Glasgow Museums and GoMA are excited to announce that we will be collecting works by Rabiya Choudhry after a successful application to The Rapid Response Fund, which has been instigated and managed by the Contemporary Art Society (CAS) in partnership with Frieze London